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Arreda la tua casa con il tuo portale d'Arte e Artigianato - Work
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    Curriculum
    Artist

    Curriculum

    Costruisco progetti inerenti alle connessioni tra arti antiche (prevalentemente extraeuropee) , arte moderna, contemporanea e neuroscienze con particolare attenzione ai linguaggi artistici delle generazioni più giovani e allo sviluppo delle tecnologie comunicative.
    Ho organizzato "The first Map Conference" presso la Sala Stevenson del British Museum a Londra il 5 marzo 2010.
    Ho ideato e coordino il progetto "Valle Arroscia Parco della Memoria" nato nel 2007. Dal 4 luglio 2014 sono membro del Consiglio di Amministrazione del Centro Studi Museum Rainer Kriester e Responsabile del Comitato Scientifico.

    Come artista sono colpito dalla evidenze archetipiche delle opere d'arte primaria, siano esse africane, oceaniche, asiatiche oppure remote come le incisioni rupestri. Monumentalizzandole e "traducendone" il materiale ( in relazione ai diversi obiettivi che mi pongo di volta in volta) cerco di utilizzare quelle opere come elementi di un vero e proprio alfabeto metaforico fatto di segni, materie, colori, forme: : con esso scrivo le storie che voglio raccontare, spesso legate alla cronaca , cercando di evidenziarne l'elemento mitico. Credo inoltre che in molte opere d’arte primaria, anche copie, ci siano tracce di autenticità, di verità..è l'archetipo che si manifesta.
    Bisogna sapere vedere.
    Io cerco quelle tracce, è il mio modo di fare arte: sono tracce implicite, non evidenti, spesso è la percezione di un insieme di forme e segni, a volte il modo di impostare la forma, o l'esasperazione di un singolo elemento.
    Cerco con il mio lavoro di renderle evidenti.
    Ecco alcuni miei lavori https://flickr.com/photos/35219496@N02/sets/72157652539250913

    GIULIANO ARNALDI,
    Savona March 10th 1956. Artist and Expert in Primary
    I am the General Superintendent of the MAP, Museum of Primary Arts, Director General of the Tribaleglobale Foundation and Managing Director for the international organization of the "Fondation pour la Promotion of the Culture Ivorienne".
    I oversaw the creation of the Passarè Foundation for the Promotion and Development of the Primary Arts and I was General Superintendent until 2009, and for 2008 I represented in Italy The Anati Foundation for the Arts, Archeology and Anthropology which is based in Jerusalem. Creator and coordinator of the cultural format TRIBALEGLOBALE, I have edited events in different places: 2000 - London, Black Soul, Nice 2004 Africa Soul of the world in contempornea in different private and public museum and archaeological spaces, The Marginality Pavilion within the 52 Biennale of Venice, the reopening in 2004 of the Jorn Museum house in Albissola Marina (after the closing year) and the events that took place there until 2009.
    I build projects related to the connections between ancient arts (mainly extra-European), modern art, contemporary art and neuroscience with particular attention to the artistic languages of younger generations and to the development of communication technologies.
    I organized "The First Map Conference" at the Stevenson Hall of the British Museum in London on March 5, 2010. I designed and coordinated the project "Valle Arroscia Parco della Memoria" born in 2007. Since 4 July 2014, I have been a member of the Board of Directors of the Center Studies Museum Rainer Kriester and Head of the Scientific Committee.
    As artist i am impressed by the archetypal evidence of the primary works of art, be they African, oceanic, Asian or remote like the rock carvings. Monumentalizing them and "translating" the material (in relation to the different objectives that I set myself from time to time) I try to use those works as elements of a true metaphorical alphabet made of signs, materials, colors, shapes: with it I write the stories that I want to tell, often linked to the news, trying to highlight the mythical element. I also believe that in many works of primary art, even copies, there are traces of authenticity, of truth ... it is the archetype that manifests itself. We must know how to see. I look for those traces, it's my way of making art: they are implicit traces, not evident, it is often the perception of a set of shapes and signs, sometimes the way to set the shape, or the exasperation of a single element. I try to make them evident with my work. Here are some of my works https://flickr.com/photos/35219496@N02/sets/72157652539250913
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    Nigra sum sed formosa 02
    image of the work
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    Art movement: Informal
    Gender: Applied Arts
    Technique: other
    size: cm x 58.0
    image: 1920x2560 (4.69 Mpx)

    LINK: Longitude 0.000000°
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    Description : scultura tradizionale africana recente tinta in nero e cerata
    immagine della opera

    Nigra sum sed formosa 02

    immagine della opera

    Nigra sum, sed formosa 01

    immagine della opera

    nigra sum sed formosa 3

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